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This site introduces unknown Emanuel Bach (C. P. E. Bach).

Galuppiʼs Opus Numbers

"Who assigned the numbers starting with R.A. to Galuppiʼs works, and how were they determined?"

The numbers starting with "R.A." assigned to the works of Baldassare Galuppi were created by musicologists to systematically organize and categorize his compositions. This cataloging system was developed as part of a comprehensive study of Galuppiʼs works.

Specifically, the "R.A." numbers refer to a catalog compiled by musicologists Franco Rossi and Guido Argenteri. This catalog aims to systematically organize Galuppiʼs vast body of work by assigning unique numbers to each composition.

Purpose and Significance of the Catalog

1. Objective
• The catalog was created to systematically organize Galuppiʼs works, enabling researchers and performers to easily identify specific pieces.
• By assigning unique numbers to each work, it facilitates classification and reference.
2. Methodology
• The catalog was developed by collecting and analyzing many of Galuppiʼs compositions throughout his life.
• Each piece was classified based on information such as the year of composition, form, and instrumentation, with a unique "R.A." number assigned.
3. Usage
• The "R.A." numbers are widely used as standard reference numbers for studying Galuppiʼs works.
• Using these numbers allows for consistent identification of specific pieces across different sources and literature.

Structure of Galuppiʼs Catalog Numbers

The numbering system beginning with "R.A." is structured as follows:

• R.A.1.: Indicates the genre or category of the work. For example, "1" may signify works for keyboard instruments.
• The next two digits: Further specify the classification, such as a particular set of sonatas or the number of movements.
• The final two digits: Provide a unique identifier for each piece.

Background of the Numbering System

Galuppi composed extensively across various genres throughout his lifetime. Therefore, a catalog was necessary to systematically organize and identify his works. The "R.A." numbers were designed for this purpose and are widely used in research on Galuppiʼs music.

This cataloging system serves as a vital tool for researchers and performers, enabling the quick identification of specific works and access to related information.

Summary

The "R.A." numbers were created by Franco Rossi and Guido Argenteri to systematically organize and categorize Galuppiʼs works. This catalog allows for efficient identification and provides valuable information for research and performance. Specific numbers (e.g., R.A.1.01.07, R.A.1.12.03) indicate the genre, classification, and unique identification of each work. Through this system, Galuppiʼs musical legacy has been systematically preserved, becoming a valuable resource for researchers and performers.

"When were the R.A. numbers assigned to Galuppiʼs works?"

The "R.A." numbers assigned to Baldassare Galuppiʼs works were created relatively recently. This numbering system was introduced to systematically organize and facilitate the study of Galuppiʼs music. The cataloging effort occurred as part of scholarly research from the late 20th century into the 21st century.

Background of the R.A. Numbering System

1. Need for Research and Organization
• Galuppiʼs works span a wide range of genres and forms, necessitating a systematic catalog for easier identification by researchers and performers.
2. Contributions of Musicologists
• The "R.A." numbers were assigned by Franco Rossi and Guido Argenteri. Their research resulted in the comprehensive organization of Galuppiʼs works.
3. From the Late 20th Century to the 21st Century
• The numbering system was developed during the resurgence of interest in Galuppiʼs music, from the late 20th century into the early 21st century. The exact year may vary depending on the source, but it generally occurred during this period.

Importance of the Catalog Numbers

1. Identification and Classification of Works
• The "R.A." numbers provide a consistent method for identifying and classifying Galuppiʼs works, ensuring consistency across various sources and literature.
2. Convenience for Research and Performance
• For researchers and performers, the "R.A." numbers are a crucial tool for quickly identifying specific works and accessing related information. This contributes to the broader understanding and performance of Galuppiʼs musical legacy.

Summary

The "R.A." numbers assigned to Baldassare Galuppiʼs works were developed through scholarly research from the late 20th century into the early 21st century. Thanks to the contributions of Franco Rossi and Guido Argenteri, Galuppiʼs works were systematically organized, providing a valuable resource for research and performance. This cataloging system offers a consistent method for identifying and classifying his works, significantly aiding in the preservation and dissemination of Galuppiʼs musical legacy.

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