This site introduces unknown composer Emanuel Bach (C. P. E. Bach). This English version was translated from Japanese one by ChatGPT.
Asked ChatGPT4o: "It seems that Mozart was influenced by Christian Bach when he met him in London before writing his first symphony at the age of 9, but is there any influence from Emanuel Bach in the second movement of Symphony No. 5?"
It is believed that the second movement of Mozartʼs Symphony No. 5 in B-flat major, K.22, shows the influence of Emanuel Bach (C.P.E. Bach). It is widely known that Mozart met Johann Christian Bach (J.C. Bach) in London at the age of 9 and was strongly influenced by him, but it is also possible that the music of Emanuel Bach influenced his compositions during the same period.
Emanuel Bach is known as a composer of the expressive “Empfindsamer Stil” (Sensitive Style), and his works are characterized by unique expressiveness and harmonic innovation. Below, we explore the influence of Emanuel Bach in the second movement of Mozartʼs Symphony No. 5.
Harmonic Progression:
Expressive Melodies:
Dynamic Changes:
Opening Melody and Harmony:
Use of Ornaments:
Contrast in Dynamics:
The second movement of Mozartʼs Symphony No. 5 shows the influence of Emanuel Bach, particularly in harmonic progression, melodic expressiveness, and dynamic changes, reflecting Emanuel Bachʼs style. From a young age, Mozart was influenced by many composers, and Emanuel Bachʼs music appears to have impacted his compositional techniques.
Asked ChatGPT4o: "Besides the second movement of Symphony No. 5, are there other parts in Mozartʼs early symphonies where Emanuel Bachʼs influence is stronger than Christian Bachʼs?"
In Mozartʼs early symphonies, there are several parts where the influence of Emanuel Bach (C.P.E. Bach) is considered strong. Emanuel Bach is known for his “Empfindsamer Stil” (Sensitive Style), characterized by dramatic expression and harmonic innovation. While Johann Christian Bach (J.C. Bach) remained an important influence on Mozart, elements of Emanuel Bachʼs style can also be found in his early symphonies.
Symphony No. 6 in F major, K.43
Symphony No. 29 in A major, K.201
Symphony No. 26 in E-flat major, K.184/161a
Symphony No. 25 in G minor, K.183
Harmonic Progression: Emanuel Bachʼs music often features sudden harmonic changes and dramatic modulations. These elements are particularly evident in the slow movements of Mozartʼs early symphonies.
Expressive Melodies: Emanuel Bach added unique inflections and ornaments to melodies to express emotions. Mozart incorporated this, creating expressive melodies in his early symphonies.
Dynamic Changes: Emanuel Bachʼs music often includes sudden dynamic changes and contrasts, adding dramatic effect and depth to the music. Similar techniques are found in Mozartʼs symphonies.
In Mozartʼs early symphonies, Emanuel Bachʼs influence is particularly evident in the slow movements. Harmonic progression, melodic expressiveness, and dynamic changes reflect Emanuel Bachʼs characteristics, contributing to the emotional depth and richness of Mozartʼs music.
Asked ChatGPT4o: “Did Mozart ever meet Emanuel Bach?”
There is no record of Mozart having met Emanuel Bach (C.P.E. Bach) directly. While Mozart had contact with many notable musicians in his youth, and his relationship with Johann Christian Bach (J.C. Bach) is well-known, there is no confirmed direct interaction with Emanuel Bach.
Relationship with Johann Christian Bach (J.C. Bach): It is well-known that Mozart met Johann Christian Bach in London between the ages of 8 and 9 and was greatly influenced by his music. J.C. Bach provided significant musical guidance to Mozart, impacting his compositional style.
Relationship with Emanuel Bach (C.P.E. Bach): Emanuel Bach was active in Berlin and Hamburg, and while Mozart may have encountered his works during his travels in Europe, there is no evidence of direct acquaintance.
Musical Influence: Mozart learned much from Emanuel Bachʼs music. Emanuel Bachʼs “Empfindsamer Stil” (Sensitive Style), harmonic innovations, and expressive melodies are thought to have influenced Mozartʼs compositional style. Particularly in Mozartʼs early symphonies and piano works, elements of Emanuel Bachʼs influence can be felt.
Indirect Contact: It is possible that Mozartʼs father, Leopold Mozart, corresponded with Emanuel Bach, and information about Emanuel Bachʼs music theory and works was conveyed to the Mozart family. Through such indirect influence, it is speculated that Mozart became familiar with Emanuel Bachʼs music.
While there is no evidence that Mozart met Emanuel Bach directly, he was certainly influenced by his music. Emanuel Bachʼs innovative harmonies and expressive style significantly impacted Mozartʼs compositions, supporting the emotional depth and richness of his music.
Asked ChatGPT4o: "In Mozartʼs early piano works, where can we see the influence of Emanuel Bach?"
In Mozartʼs early piano works, there are several parts where the influence of Emanuel Bach (C.P.E. Bach) can be seen. Emanuel Bach is known for his “Empfindsamer Stil” (Sensitive Style), which includes dramatic expression and harmonic innovation. The influence Mozart received from Emanuel Bach is particularly evident in the following aspects:
Piano Sonata No. 1 in C major, K. 279 (189d)
Piano Sonata No. 2 in F major, K. 280 (189e)
Piano Sonata No. 3 in B-flat major, K. 281 (189f)
Piano Sonata No. 4 in E-flat major, K. 282 (189g)
Harmonic Progression:
Expressive Melodies:
Dynamic Changes:
In Mozartʼs early piano works, the influence of Emanuel Bach is evident throughout. Particularly, harmonic progression, expressive melodies, and dynamic changes are characteristic. Emanuel Bachʼs “Empfindsamer Stil” significantly influenced the expressive music-making in Mozartʼs early works.
Asked ChatGPT4o: "Are there any books or papers written about the influence of Emanuel Bach on Mozart?"
There are several books and papers written about the influence of Emanuel Bach (C.P.E. Bach) on Mozart. Below are some major references:
“Engaging Bach” by Matthew Dirst:
“Bach and Mozart: Connections, Patterns, Pathways” (Cambridge University Press):
“Bach and Mozart: Styles of Musical Genius” (Cambridge University Press):
By referring to these documents, one can gain a deeper understanding of how Mozart was influenced by Emanuel Bach. Emanuel Bachʼs “Empfindsamer Stil” and harmonic innovations provided Mozartʼs music with rich expressiveness and depth.
Asked ChatGPT4o: "While there are early symphonies of Mozart where Emanuel Bachʼs influence can be heard, are there any mid-to-late symphonies where his influence is evident?"
In Mozartʼs mid-to-late symphonies, there are works where the influence of Emanuel Bach (C.P.E. Bach) can be pointed out. Letʼs see how Emanuel Bachʼs “Empfindsamer Stil” and innovative harmonic progressions are reflected in Mozartʼs mature symphonies.
Harmonic Progression:
Expressive Melodies:
Dynamic Changes:
Through these examples and elements, it is evident that Emanuel Bachʼs influence is reflected in Mozartʼs mid-to-late symphonies.
Asked ChatGPT4o: "Is there a reason to say that the counterpoint in the finale of the Jupiter Symphony is influenced by Emanuel Bach rather than Sebastian Bach?"
There are several reasons to say that the counterpoint in the finale of Mozartʼs Symphony No. 41 “Jupiter” is influenced by Emanuel Bach (C.P.E. Bach) rather than Sebastian Bach (J.S. Bach), based on specific musical elements and stylistic differences.
Empfindsamer Stil (Sensitive Style):
Innovative Counterpoint:
Education and Influence:
David Schroederʼs “Mozart in Revolt”: This book details the influence of Emanuel Bach on Mozart, particularly pointing out the influence on the use of counterpoint and emotional expression techniques.
Charles Rosenʼs “The Classical Style: Haydn, Mozart, Beethoven”: This analyzes how Emanuel Bachʼs influence is reflected in Mozartʼs compositional style, including the counterpoint in the finale of the “Jupiter” Symphony.
Neal Zaslawʼs “Mozartʼs Symphonies”: This study details the counterpoint and harmonic innovations in Mozartʼs symphonies, suggesting Emanuel Bachʼs influence.
The reason the counterpoint in the finale of the “Jupiter” Symphony is said to be influenced by Emanuel Bach rather than Sebastian Bach is based on the richness of emotional expression through the Empfindsamer Stil, flexible counterpoint techniques, and the educational influence of Emanuel Bach. These elements suggest that Mozart was influenced by Emanuel Bach when combining formal techniques with emotional expression.
Asked ChatGPT4o: "While Symphony No. 5 shows influence from Emanuel Bach, could this also be through Christian Bach?"
Mozartʼs Symphony No. 5 in B-flat major, K.22, shows influence from Emanuel Bach (C.P.E. Bach), but it is considered to be primarily an indirect influence received through Johann Christian Bach (J.C. Bach).
Emanuel Bach is known as a composer of the Empfindsamer Stil (Sensitive Style), characterized by emotional expression and harmonic innovation. The influence Mozart received from this style is reflected in the harmonic progression and emotional expression, especially in his slow movements.
Mozart met J.C. Bach in London during his childhood and was strongly influenced by his musical style. J.C. Bach, being Emanuel Bachʼs brother, also incorporated elements of the Empfindsamer Stil. By being exposed to Emanuel Bachʼs music through J.C. Bach, Mozart may have indirectly received Emanuel Bachʼs influence.
While Mozartʼs Symphony No. 5 shows influence from Emanuel Bach, it is considered to be primarily an indirect influence received through J.C. Bach. Through his relationship with J.C. Bach, Mozart incorporated musical elements of Emanuel Bach into his own compositional style.
Asked ChatGPT4o: "Besides Christian Bach, was there anyone else who could have taught Mozart about Emanuel Bach?"
There are several possible avenues through which Mozart could have been exposed to and learned about Emanuel Bachʼs (C.P.E. Bach) music, aside from Johann Christian Bach (J.C. Bach).
Possible avenues through which Mozart was exposed to and influenced by Emanuel Bachʼs music include his father Leopold Mozart, travels and performances across Europe, music publications, and interactions with many musicians. Particularly, Leopoldʼs educational approach and extensive musical knowledge were undoubtedly important sources of learning for young Mozart.