This site introduces unknown Emanuel Bach (C. P. E. Bach).
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Carl Philipp Emanuel Bachʼs violin sonatas are a collection of works that blend characteristics of both the Baroque and Classical periods, with a particularly strong influence from the *Empfindsamer Stil* (sensitive style). These sonatas are notable for the equal partnership between the violin and the keyboard instrument, moving away from the Baroque basso continuo style and giving the keyboard a more active and prominent role.
Structurally, these sonatas generally employ binary and ternary forms for their movements, but they also incorporate elements of free expression and improvisation. Notably, they feature flowing melodies, bold modulations, and intricate contrapuntal writing. The violin’s timbre is used to create delicate and emotionally expressive phrases that captivate listeners.
These works are considered an important part of the violinistʼs repertoire due to the combination of technical challenges and the need for emotionally rich interpretation. Furthermore, Emanuel Bach’s violin sonatas significantly influenced later chamber music by composers such as Haydn and Mozart, contributing to the broader development of 18th-century music.