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Top > ★C.P.E. Bachʼs Musical Works > Keyboard Solo Works by C.P.E. Bach > Clavierstücke verschiedener Art Wq. 116 > Polonaise in E-flat Major, W. 116-2

This site introduces unknown composer Emanuel Bach (C. P. E. Bach). This English version was translated from Japanese one by ChatGPT.

Emanuel Bach Polonaise in E-flat Major, W. 116-2 (H. 172)

ChatGPT4o writes as follows (please note that it may not be accurate):
Emanuel Bachʼs polonaises are among the works that showcase his unique musical style. In this piece, the characteristic 3/4 rhythm of the polonaise is employed, intertwining elegance and strength. His polonaises often include unexpected modulations and bold harmonic progressions, surprising the listener. Additionally, they are rich in ornamentation and improvisational elements, demanding high technical skill and expressiveness from the performer. Emanuel Bach excelled at expressing a wide range of emotions through music, and this polonaise is no exception. His works played a crucial role as a bridge to classical music, significantly influencing later composers.

According to the commentary by Darrell M. Berg on Miklós Spányi's CD (BIS-CD-1329) (translated by ChatGPT4o):
The Polonaise in E-flat Major Wq. 116/2 (H. 172) was published in ʼMusikalisches Mancherleyʼ and, like the Minuet in E-flat Major, is believed to have been composed in 1762 or earlier. This polonaise, like the minuet, features a melody that prominently highlights the note D-flat.

For an overview of Wq. 116 as a whole, refer to Character Pieces Wq. 116 .


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Created: 2024-12-04 13:10   Edited: 2025-03-28