This site introduces unknown composer Emanuel Bach (C. P. E. Bach). This English version was translated from Japanese one by ChatGPT.
C.P.E. Bach’s Flute Concerto in B-flat Major, Wq. 167 (H. 435) is a refined and expressive work composed during his Berlin period. The concerto showcases Bach’s distinctive style, blending elegance with unexpected harmonic and structural innovations.
The first movement (Allegretto) opens with a graceful and lighthearted theme. The flute and orchestra engage in a lively dialogue, following a ritornello structure. The solo passages feature fluid, decorative lines and subtle dynamic contrasts. Though moderately paced, the movement maintains a sense of rhythmic drive and clarity.
The second movement (Adagio) provides an emotional centerpiece with its deeply expressive and introspective character. The flute’s melody is highly ornamented, creating a singing quality reminiscent of the empfindsamer Stil (sensitive style). The orchestral accompaniment is delicate, allowing for intimate phrasing and nuanced dynamic shifts. The harmonic progressions contribute to the movement’s sense of depth and longing.
The third movement (Allegro assai) serves as a vibrant and energetic finale. The lively main theme is characterized by rapid passages and rhythmic buoyancy. The flute displays both technical agility and expressive phrasing, engaging in a spirited interplay with the orchestra. The movement’s rondo-like structure and recurring motifs ensure a sense of coherence and excitement leading to a brilliant conclusion.
This concerto exemplifies C.P.E. Bach’s ability to balance lyrical expression with virtuosic brilliance. It remains a significant work in the flute repertoire, showcasing the instrument’s full expressive and technical range.
It is said that the Flute Concerto Wq. 167 and the Keyboard Concerto Wq. 28 were arranged from the Cello Concerto Wq. 171.