This site introduces unknown Emanuel Bach (C. P. E. Bach).
Carl Philipp Emanuel Bach Symphony in A Major No. 4 Wq. 182-4 (H. 660)
Movement I: Allegro ma non troppo
Movement II: Largo ed innocentemente
Movement III: Allegro assai
ChatGPT4o writes as follows (please note that it may not be accurate):
Carl Philipp Emanuel Bachʼs Symphony Wq. 182-4 (H. 660) is a work that showcases his creativity and rich emotional expression. The first movement is characterized by lively melodies and rhythms that intertwine, drawing the audience in with its strength. The following second movement possesses a calm and pure beauty, quietly conveying deep emotions. The final movement unfolds with energetic and dynamic music, bringing the piece to a close. This symphony is notable for its expression of diverse emotions that transcend the boundaries of the Classical period, highlighting Emanuel Bachʼs innovative musicality.
Summarized by ChatGPT4o from the commentary attached to Sergio Cánovasʼs YouTube video of this piece:
Carl Philipp Emanuel Bachʼs Symphony Wq. 182-4 (H. 660) is structured in three movements, with characteristics of the Empfindsamer Stil evident throughout. The first movement (in A major) is in binary form, beginning with a gracefully descending motif that develops into a powerful and passionate theme. The development section is marked by expressive music and a contrast with piano (soft) sections, leading seamlessly into the second movement. The second movement (in D minor) is in ternary form, featuring a lyrical and ornamented theme played by the strings, with a modulation to F major in the middle section creating a gentle contrast. The theme returns in the recapitulation, smoothly transitioning to the next movement. The third movement (in A major) is structured as a theme and variations, with a cheerful and robust theme that evolves through variations, modulations, and ornamentations, concluding the piece with a bright coda.
Carl Philipp Emanuel Bach Chamber Orchestra Full Performance