This site introduces unknown Emanuel Bach (C. P. E. Bach).
Symphony in F Major No. 3 Wq. 183-3 (H. 665) by Emanuel Bach
Movement I: Allegro di molto
Movement II: Larghetto
Movement III: Presto
ChatGPT4o writes as follows (please note that it may not be accurate):
Emanuel Bachʼs Symphony Wq. 183-3 (H. 665) stands out among his symphonies for its wide range of emotions and expressiveness. The first movement is marked by an energetic and lively melody that captivates the listener with its strength. The following second movement flows with calm and deep emotions, leaving a lasting impression with its contrasting tranquility. The final third movement rushes through with a rapid and light rhythm, providing a refreshing conclusion. This symphony showcases Emanuel Bachʼs diverse compositional techniques and his musical insight. His music pursues new expressions beyond the classical framework, and this work is a prime example of that pursuit.
Summarized by ChatGPT4o from the commentary attached to Sergio Cánovasʼs YouTube video of this piece:
Emanuel Bachʼs Symphony Wq 183-3 (H. 665) is a work of three contrasting and expressive movements. The first movement (in F major) is in ternary form, beginning with a brilliant and brief introduction followed by the development of a passionate theme. The flute plays a lyrical contrasting motif, and in the development section, short "declarative" phrases interrupt the musical flow, creating tension through dynamic contrasts and sudden pauses. After the themeʼs recapitulation, dissonant transitions lead into the next movement. The second movement (in D minor) is a short, weighty single theme, with the viola and cello playing a tragic melody, heavily influenced by "Sturm und Drang." Amidst a dark atmosphere, the movement progresses to the next with changes in tonality. The third movement (in F major) is in theme and free variation form, presenting an elegant, dance-like theme. The development section uses dynamic contrasts, modulations, and ornamentations, culminating in a powerful coda that concludes the piece with brilliance.