This site introduces unknown Emanuel Bach (C. P. E. Bach).
Emanuel Bachʼs Keyboard Concerto Wq. 10 (H. 413) is a work composed in 1741, notable for its rich expressiveness and marked inclination towards the empfindsamer Stil (sensitive style) among his early concertos. This piece, while maintaining the traditional ensemble of solo keyboard and strings (two violins, viola, and bass), stands out for its innovative musical approach.
In the 1st movement, clear themes and rhythmic motifs intertwine, achieving a remarkable balance of counterpoint and harmony. The 2nd movement strongly features the characteristics of the empfindsamer Stil, with deep emotional expression and lyrical melodies that leave a strong impression. Particularly in the solo part, improvisational elements are incorporated, highlighting the performerʼs skill. The 3rd movement unfolds with dance-like, lively rhythms and bright melodies, emphasizing the elegance of the galant style.
In this concerto, the solo and strings harmonize skillfully, while the solo part is given free and unique expression. Although Wq. 10 is one of Emanuel Bachʼs early works, it hints at his later mature style and plays an important role in the development of keyboard concertos.