This site introduces unknown Emanuel Bach (C. P. E. Bach).
Emanuel Bachʼs Keyboard Concerto Wq. 29, composed in 1765, is a work in A major and one of the concertos from his Hamburg period. This piece demonstrates Emanuel Bachʼs pursuit of unique expressiveness while developing the classical form. It consists of three movements, with the first movement characterized by a clear and energetic theme, where the keyboard instrument plays a technically brilliant and flamboyant role. The second movement combines lyrical melodies with rich harmonies, unfolding music filled with deep emotion. The final movement possesses a light and approachable character, featuring diverse developments based on the rondo form. This concerto not only showcases Emanuel Bachʼs refined compositional techniques but also serves as an important bridge to classical music. The technical elements and expressive content of the keyboard instrument provide enjoyment for both performers and audiences alike.
It is said that the Keyboard Concerto Wq. 29 was arranged from the Cello Concerto Wq. 172. The range and phrases have been adjusted to suit the characteristics of the cello. In this way, when Emanuel Bach arranged concertos for keyboard instruments for other instruments, he applied unique adaptations that utilized the characteristics of each instrument.
Performance examples: