This site introduces unknown composer Emanuel Bach (C. P. E. Bach). This English version was translated from Japanese one by ChatGPT.
C.P.E. Bach’s Flute Concerto in A Major, Wq. 168 (H. 438) is a work that highlights both the expressive and virtuosic capabilities of the flute. Written during his Berlin period, this concerto features Bach’s signature style, characterized by unexpected harmonic shifts and emotional depth.
The first movement (Allegro) is lively and energetic, structured around a ritornello form. The flute engages in a dynamic interplay with the orchestra, weaving through rapid scales and arpeggios while maintaining a sense of elegance. The movement is filled with harmonic surprises and contrasts, reflecting Bach’s innovative approach to form and melody.
The second movement (Largo con sordine, mesto) stands in stark contrast to the first, with a deeply melancholic and introspective character. The marking mesto (sad, mournful) indicates a particularly expressive and emotional style. The muted strings create a soft, delicate atmosphere, allowing the flute’s expressive lines to stand out. This movement exemplifies the empfindsamer Stil (sensitive style), emphasizing subtle dynamic changes and ornamental detail.
The third movement (Allegro assai) serves as a bright and energetic finale. It is structured similarly to a rondo, with a recurring theme that brings cohesion to the movement. The flute part is filled with lively passagework, quick scale runs, and rhythmic playfulness. The movement drives forward with relentless energy, culminating in a brilliant and spirited conclusion.
This concerto is a testament to C.P.E. Bach’s ability to blend lyrical beauty with technical brilliance. It remains a significant work in the flute repertoire, offering both expressive depth and dazzling virtuosity.