This site introduces unknown Emanuel Bach (C. P. E. Bach).
The Keyboard Concerto Wq. 2 (H. 414) by Emanuel Bach is an early concerto composed in 1735, reflecting the stylistic explorations of the composer in his youth. This concerto was written during a period when he was influenced by his father, Johann Sebastian Bach, yet was seeking his own musical identity. The instrumentation adopts the traditional form of a solo keyboard instrument accompanied by strings (two violins, viola, and bass).
In the first movement, a powerful theme is presented, blending contrapuntal elements with harmonic development. The second movement features an introspective and emotionally rich melody, showing the influence of the empfindsamer Stil (sensitive style). The final movement is characterized by a clear structure and lively rhythm, offering glimpses of the galant style. This work demonstrates Emanuel Bachʼs exploration of unique expression within the genre of keyboard concertos and symbolizes a transitional phase towards his later mature style.
The second concerto was composed in 1734 and revised in 1743. Around 1762, it was published by Antoine Huberty, though this edition was likely issued without Bachʼs permission. This assumption is based on the fact that it is not listed as an authorized edition in Bachʼs autobiography from 1773. The published version contains notes that Bach later removed, which can be verified under ultraviolet light.
When comparing the original and revised editions, the revised version retains the lively rhythmic motifs and use of double stops in the string parts, characteristic of the original, but these elements are subtly adjusted. In the original edition, the strings tended to become overly active, overshadowing the keyboard part. Bach expressed a preference for restrained accompaniment in his ʼEssay,ʼ which likely influenced the revisions.