This site introduces unknown Emanuel Bach (C. P. E. Bach).
Emanuel Bachʼs Keyboard Concerto Wq. 22 (H. 425) in D minor is a work that exemplifies the characteristics of the empfindsamer Stil, harmonizing deep emotional expression with structural ingenuity. The key of D minor imparts a unique tension to this concerto, which is dramatic and introspective in nature. The first movement begins with an intense and energetic theme, developed in sonata form. The orchestra and solo instrument engage in a close dialogue, occasionally presenting a structure of opposition, creating an impressive dramatic progression. The second movement is characterized by its calm and lyrical nature, focusing on the expression of delicate emotions. It features passages where the subtle nuances typical of Emanuel Bach can be heard, utilizing the timbres of the clavichord or harpsichord. The third movement is a lively finale, employing a clear ritornello form. The brisk tempo and bright energy dominate the movement, providing a sense of unity to the entire concerto. This concerto is considered an important work that beautifully merges formal balance with emotional expressiveness, showcasing Emanuel Bachʼs uniqueness during the transitional period from the Baroque to the Classical era.
The D minor Concerto H. 425/Wq. 22 (composed in 1747) is the keyboard version of a flute concerto in the same key, with the flute version likely preceding the keyboard version. Recent manuscript research provides compelling evidence that the flute version is the original. The work for flute and orchestra may have been written with the expectation of performance by the royal flutist, though it is equally likely it was intended for another performer. After composing the flute concerto, Bach is thought to have created the keyboard version for his own performance activities. This keyboard version is modest compared to other concertos from the mid-1740s, characterized by the continuous use of strings as accompaniment to the solo instrument.