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Homepage > ★C.P.E. Bachʼs Musical Works > C.P.E. Bachʼs Keyboard Solo Works > Solo Collection Wq. 62

This site introduces unknown Emanuel Bach (C. P. E. Bach).

Emanuel Bach Keyboard Solo Collection (Sonata Collection) Wq. 62

Emanuel Bachʼs "Wq. 62" is a collection of solo sonatas for keyboard instruments, encapsulating his unique musical style and creativity. Compiled by musicologist Wotquenne, this collection is characterized by its delicate expression and rich emotional contrasts, and is known as a representative work of the "Empfindsamer Stil" (sensitive style) of the late 18th century. Each sonata features vivid melodies, unpredictable modulations, and dynamic harmonic progressions, demanding a high level of expressiveness from the performer. Additionally, the musical language that Emanuel Bach inherited from his father, Sebastian Bach, and developed independently is brilliantly showcased. "Wq. 62" is an important collection symbolizing the transition between the Baroque and Classical periods, and its charm is especially appreciated when performed on period instruments. It is an essential collection for understanding the evolution of keyboard music in music history.

List of Works

The introduction was written by ChatGPT4o.



I asked ChatGPT4o: "Please explain the circumstances under which Emanuel Bachʼs Wq. 62 was composed."

Carl Philipp Emanuel Bachʼs (C.P.E. Bach) work number Wq. 62 refers to his collection of sonatas for keyboard instruments. These sonatas were mainly composed during his Berlin period (1740–1768). At that time, he served as a harpsichordist at the court of Frederick II of Prussia (Frederick the Great), during which he produced many keyboard works.

The sonatas of Wq. 62 are thought to have been composed under the following backgrounds and purposes:

  1. Performance at the court: Frederick the Great himself was a music enthusiast, particularly fond of playing the flute. Music concerts were frequently held within the court, and C.P.E. Bach had many opportunities to perform his works at these events. The sonatas of Wq. 62 may have been composed as part of such court music activities.

  2. Educational purposes: C.P.E. Bach was also an excellent educator, composing many works to enhance keyboard playing techniques and expressiveness. The sonatas of Wq. 62 are thought to have served as educational material to improve performersʼ skills and broaden their musical expression.

  3. Publication and income: In the mid-18th century, composers earned income through the publication of their works. C.P.E. Bach also published his works, offering them widely to the public, gaining fame and financial benefits. The sonatas of Wq. 62 may have been published for such purposes.

These sonatas were intended to be performed on the keyboard instruments of the time (clavichord and fortepiano), and they reflect C.P.E. Bachʼs Empfindsamer Stil, a style rich in emotion and expressiveness.



I asked ChatGPT4o: "Was Wq. 62 published as a collection?"

Emanuel Bachʼs Wq. 62 consists of multiple sonatas and suites for solo keyboard instruments, but they were not published as a single collection.

Characteristics of the Publication Status of Wq. 62

  1. Publication in individual or small units

    • The works included in Wq. 62 were often published individually or in small groups.
    • For example, some sonatas were dedicated to specific patrons or performers and published independently.

  2. Existence of unpublished works

    • Among the works included in Wq. 62, there are some that were not published during Emanuel Bachʼs lifetime. These were discovered and published posthumously or transmitted as manuscripts.

  3. Spread of the Empfindsamer Stil and publication

    • Emanuel Bach emphasized the Empfindsamer Stil, and due to its expressive freedom, many of his works were not bound by formal constraints, leading to a lack of formal uniformity in publication.

  4. Differences in period and publisher

    • Differences in composition periods, such as the Berlin or Hamburg periods, resulted in variations in publication style and purpose.
    • Additionally, works belonging to the same Wq. 62 were sometimes published by different publishers.

Summary

Although Wq. 62 was not published as a unified set, it holds an important position among Emanuel Bachʼs solo keyboard works. It is believed that individual works were released independently or published in small groups.



I asked ChatGPT4o: "Why is Wq. 62 treated as a single collection?"

Emanuel Bachʼs Wq. 62 is currently treated as a single collection due to musicological organization and the need for classification by later generations. It was not intentionally compiled by Emanuel Bach himself but was later systematized based on the content and form of the works.

Reasons for Treating Wq. 62 as a Single Collection

1. Classification by Musicologist Alfred Wotquenne (Wq. Number)

2. Unity as Solo Keyboard Pieces

3. Proximity of Composition Period and Stylistic Similarity

4. Ambiguity of Publication Status

5. Commonality of Performance Purpose

Summary

Emanuel Bachʼs Wq. 62 is treated as a single collection due to its formal unity as solo keyboard pieces, the proximity of composition period and style, and the systematic classification by musicologist Wotquenne. It was not intentionally compiled by Bach himself but was systematized by later researchers based on the nature of the works.

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< C.P.E. Bachʼs Keyboard Solo Works
< Keyboard Sonatas of C.P.E. Bach
> Keyboard Sonata in C Major Wq. 62-07
> Keyboard Sonata in D minor Wq. 62-04
> Keyboard Sonata in E Major Wq. 62-05
> Keyboard Sonata in F minor Wq. 62-06
> Keyboard Sonata in G minor Wq. 62-23
> Sonata in A minor Wq. 62/21
> Sonata in B minor Wq. 62/22
> Sonata in B-flat Major Wq. 62-01
> Sonata in B-flat Major Wq. 62-16
> Sonata in C Major Wq. 62-10
> Sonata in C Major Wq. 62-20
> Sonata in D Major Wq. 62-03
> Sonata in D Major Wq. 62/13
> Sonata in D minor Wq. 62-15
> Sonata in E Major Wq. 62/17
> Sonata in F Major Wq. 62-08
> Sonata in F Major Wq. 62-24
> Sonata in F Major Wq. 62-9
> Sonata in G Major Wq. 62-02
> Sonata in G Major Wq. 62-11
> Sonata in G Major Wq. 62-14
> Sonata in G Major Wq. 62-19
> Sonata in G minor Wq. 62-18
> Suite in E Minor Wq. 62-12
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Created: 2024-12-03 23:50   Edited: 2025-01-16